Three nights on the Gibson Stage
Two bands every night, Thursday through Saturday, under the high desert sky at Lasertown.

Since bursting onto the scene in 2015 with the release of Everybody Wants, The Struts have become synonymous with modern glam-rock swagger and arena-sized energy. Known for hits like “Could Have Been Me,” “Kiss This,” and “Body Talks,” the band quickly earned global acclaim and a dedicated fanbase. Their debut album charted internationally and led to opening slots for rock legends such as The Rolling Stones, Foo Fighters, Guns N’ Roses, and Mötley Crüe — with Dave Grohl famously declaring them "the best opening band we’ve ever had." With multiple acclaimed studio albums under their belt — including Young & Dangerous (2018), Strange Days (2020), and Pretty Vicious (2023) — The Struts have built a reputation for genre-blending innovation, theatrical flair, and a sound that feels both nostalgic and fresh. Their latest singles, including "How Can I Love You (Without Breaking Your Heart)" and "Can't Stop Talking," have further solidified their place in the modern rock landscape. In addition to the band's collective success, frontman Luke Spiller has ventured into solo territory with his debut album, Love Will Probably Kill Me Before Cigarettes and Wine, released in April 2025. They’ve played top festivals around the world, appeared on late-night television, and continue to pack venues from Los Angeles to London.

Black Sabbitch is the world-renowned all-female powerhouse, who Google hails as the most popular Black Sabbath tribute band in the world. The band released their highly anticipated live album, Unrest in the West, earlier this year to a global audience. Formed in 2012 by acclaimed session drummer Angie Scarpa, Black Sabbitch quickly became a force to be reckoned with, recruiting an all-star lineup of musicians including Emily Burton (Fireball Ministry), Melanie Makaiwi (Penny Dreadfuls, Scarling), and Alice Austin (Zola Turn). Over the past decade, the band has captivated audiences worldwide, selling out shows and earning the respect of critics, fans, and fellow musicians alike. With Unrest in the West, Black Sabbitch bring their stunning live experience to fans around the globe. Featuring deep cuts like A National Acrobat and Wheels of Confusion, this is a must-have collection for Sabbath worshipers everywhere.

Throughout their career, Blackberry Smoke have embodied Georgia's rich musical legacy, honoring the people, places and sounds of their home state. Their latest album, Be Right Here draws inspiration from Southern rock, blues-leaning classic rock and rootsy vintage country and is full of vivid and relatable characters that ensure the songs often resemble rich short stories. Over the past two decades, Blackberry Smoke has amassed the following of a loyal fanbase, leading their last six full-length albums to achieve great chart success, including 2021’s You Hear Georgia, which reached #1 on Billboard’s Americana/Folk Albums chart and 2024’s Be Right Here, which reached the top 5 on the Top Current Album Sales chart. Touring relentlessly, the band know a little something about hitting the road in order to find a place to belong, and supported by the strong fanbase of Brothers and Sisters, legions of whom travel across the globe to support the band, they in turn give fans a palace to belong. Over the years the band has appeared across the globe on stages such as Austin City Limits, Bonnaroo, Summerfest, Glastonbury, Download UK, to name a few, and has no plans to stop anytime soon. For Blackberry Smoke, embracing the light and finding the silver lining are once again at the heart of what they do best.

Jared James Nichols is an American blues-rock guitarist and singer from East Troy, Wisconsin, best known for his high-energy "pick-less" electric guitar playing technique. He is rarely seen playing without his signature single-pickup Epiphone Les Paul Custom P90 nick-named Old Glory or his vintage original 1953 Gibson Les Paul nick-named Ole Red.

If the city of Los Angeles had a soundtrack, it would be Ozomatli. Since forming in 1995, the six-piece band has blended Latin, hip-hop, funk, reggae, and global influences into a sound that reflects the energy, diversity, and rhythm of LA itself. In 2026, Ozomatli continues forward, rooted in that identity and energized by an active, creative chapter. More than three decades in, Ozomatli is a trusted live experience and cultural event. Their performances are built on connection, shaped by the room and the moment, and known for their joy, spontaneity, and humanity. Each show feels specific, alive, and communal. That approach has carried the band across the world and earned them three GRAMMY® Awards, iconic performances at the Hollywood Bowl, a TED Talk, and appearances on The Today Show, Jimmy Kimmel Live, and Austin City Limits. These milestones now serve as a foundation, supporting a band that continues to evolve. At the core are the six founding members: Asdru Sierra (vocals, trumpet), Raul Pacheco (vocals, guitars), Ulises Bella (saxophone, vocals), Wil-Dog Abers (bass), Jiro Yamaguchi (percussion), and Justin Poree (vocals, percussion). Together, they live by a simple truth: “We take you around the world through the heartbeat of Los Angeles.” Their music moves fluidly through salsa, cumbia, samba, funk, merengue, dancehall, New Orleans second line, Jamaican ragga, and Indian raga, woven into a sound that feels both global and grounded. In 2026, Ozomatli is creating new music while expanding how they meet audiences, from full-scale concerts to more intimate, storytelling-driven formats and residency-style engagements. Community remains central to everything they do, with music that invites people of all ages and backgrounds to gather, move, and connect. Ozomatli continues as a living reflection of Los Angeles; evolving, collaborative, and alive. The soundtrack carries on.

The Western States are known for their electric live performances and are one of the most exciting and dynamic bands in the Los Angeles country music scene. Incorporating a wide range of sonic influences including classic country, honky-tonk, country rock and alt-country, their sound ranges from toe-tapping barroom bangers and heartbroken waltzes to hard-hitting two-steps and melancholy ballads.

The Dusty Bunch is an American musical collective formed somewhere in the narrow space between gainful employment and questionable judgment. Comprised of Storyteller team members, The Dusty Bunch brings together five guys, several instruments, and a level of confidence typically reserved for bands with significantly more rehearsal time. Their sound is difficult to categorize, largely because no one has made a serious attempt to do so. Drawing from rock, Americana, country, jam, and whatever everyone happened to learn before joining the band, The Dusty Bunch has developed a musical style that feels both familiar and legally distinct. What began as a collection of Storytellers playing music together has since evolved into something considerably more official-looking. Known for their musicianship, chemistry, and willingness to perform in front of people they will almost certainly see at work the next morning, The Dusty Bunch approaches every show with the professionalism of seasoned touring musicians and the logistical infrastructure of five guys checking a group text. The band remains committed to its founding principles: be pretty ok, play stadium loud in small spaces to compensate for lack of talent, take none of this too seriously, and never allow actual responsibilities to interfere with soundcheck.